Can essays have 4 paragraphs. Herodotus biography essays Herodotus biography essays tony essayer.
This is an accidental special issue. The collective shape and orientation of the essays presented here did not originate in response to a formal call for contributions.
Our title, Technologies of Public Persuasion, wasimposed somewhat arbitrarily on essays that came together, as it were, on their own, in ways unimagined by the authors and the editors alike.
One of the rarer pleasures of editing a journal is when unsolicited submissions begin to signal, assert, and gravitate toward a new problematic of which the editors and their committee of readers are not fully cognizant.
Such an emerging problematic cannot be grasped in terms of a thematic unity, although this special issue does have a common theme. On the surface, each of the essays is concerned with the communicative dimension of public-making and peoplehood, an enduring theme in critical political theories and the allied democratic social imaginaries.
More specifically, the essays focus on material technologies of public speaking and communication—ranging from how the transparency of anational language in Indonesia can create a space for national formation Webb Keane to howgramophone reproductions can rupture and supplement traditional pedagogy in south Indian music Amanda Weidman to how [End Page ] cell phone texting can generate a populist movement to dethrone a government in the Philippines Vicente L.
Rafael —that simultaneously energize and innervate new forms of social life and action. Most of the essays also map, by way of thickly descriptive case studies or depiction of transfigured space Christopher Schneiderthe circulatory matrix, both national and global, through which new discursive forms, practices, and artifacts carry out their routine ideological labor of constituting subjects who can be summoned in the name of a public or a people.
But these strands of thematic confluence by themselves are not distinctive or decisive enough to warrant a special issue. At any given moment, Public Culture, a journal dedicated to, among other things, mapping the career of the public sphere across different national-cultural sites under the regime of global modernity, has under review a dozen submissions on that general topic.
We could cobble together a special issue on, say, publics and counterpublics at a short notice, with its well-trod themes and tropes and its recalcitrant Eurocentric conceptual focus, despite every effort at transcultural contextualization. But that wouldn't be an accidental special issue.
It wouldn't surprise or provoke anyone, least of all the readers of Public Culture. An accidental special issue, much like the purloined letter, had to be found suddenly in a moment of panic and recognition as it lay scattered, but in full view, as an assembly of manuscripts on our virtual editorial table.
What is distinctive about these essays is threefold. First, they offer form- sensitiveanalyses of public texts, events, and practices that do not succumb to the temptation of reading for meaning. Second, they foreground the cultures of circulation and transfigurationwithin which those texts, events, and practices become palpable and are recognizedas such.
Third, they disclose the play of supplementarity that enframes and ruptures the enterprise of public recognition whatever its object—the ethnolinguistic identity of an embattled minority Michael Silversteina petty economic crime of substitution in a Soviet eatery Serguei Alex.
Oushakinethe homoerotic desires of an early colonial advocate for human rights Patrick Mullenor the iconicity of a "hint" in the speculative culture of Wall Street Michael Kaplan. A founding ambition of this journal has been to promote form-sensitive analyses of cultural phenomena that move away from, without repudiating, virtuoso readings of social texts, archives, and objects.
Today Public Culture is better known for its pioneering studies of global cultural flows than for its engagement with mediated public forms.
Breckenridge a in the inaugural issue indicate that the study of the semiosis of forms in various registers—elite, folk, popular, and cosmopolitan—was regarded as equally, if not If you would like to authenticate using a different subscribed institution that supports Shibboleth authentication or have your own login and password to Project MUSE, click 'Authenticate'.
You are not currently authenticated.
View freely available titles:The following list of resources are PDFs of scholarship relevant to Hmong studies. This is not a comprehensive list of this scholarship, and it does not pretend to be. However, there are many resources here by important scholars in the field, and many of these resources will be important to the work (both research and coursework) of many of you.
Cultural Studies Critical Methodologies understands that the discourses of a critical cultural studies methodology are basic to any effort to ethnographic poetry, performance texts, creative nonfiction, interpretative essays, and cultural criticism.
The journal welcomes critical, reflective essays as well. Bradford, USA: Paula. McDonald’s responded by introducing queue monitors—young women who channeled customers into orderly lines.
Queuing subsequently became a hallmark of Hong Kong’s cosmopolitan, middle-class culture. Older residents credit McDonald’s for introducing the queue, a . Jan 25, · Essay- How Artists Have Conveyed An Australian Identity The image of Australian art has changed constantly since its early beginnings and has made contributions to the nations cultural identity, which has been substantially enhanced over the last two hundred years by Australian artists.
rutadeltambor.com is a platform for academics to share research papers. Its scope and originality make it a key point of reference for students and academics in body studies and in the social and cultural sciences more generally' - Ian Burkitt, Reader in Social Science, University of Bradford.